It may also be useful to bring a plastic folder or portfolio to transport your work home (although we have these available to buy from £3.50). What to bring: We provide you with ALL the materials you need for your course, however, if you have a favourite set of brushes or any specialist materials that you would like to use, please bring them with you. This is a wonderfully unique opportunity to engage with traditions from both Japan and St Ives to produce ethereal, experimental prints. Enjoy the satisfying process of carving your designs into soft poplar ply and hone your compositional skills creating clean prints with a precise and professional finish. Learn to extract modern ideas from your surroundings and simplify them into semi-abstract designs – knowledge you can use in any creative endeavour. Exploration will include a trip to the Barbara Hepworth Gardens and its simple and shapely sculptures inspired the rocks and lines of the Cornish coast. This course offers a contemporary take on woodblock with traditional methods and tools that have been used in Japan for centuries. This remains a major appeal of woodblock printing today: it’s an independent printing process that you can do at home, without a press and using completely sustainable materials. Translated literally as ‘creative prints’, sosaku hanga emphasises the artist’s need for autonomous self-expression in the drawing, carving and designing of prints. Having lived and practiced woodblock printing in Japan for many years, he journeys there each year to continue his personal study of the art and the sosaku hanga movement that emerged in the 20th Century, around the same time as British modernism was taking off. Practitioner Adrian Holmes gives you an insight into his extensive knowledge of the woodblock printing tradition. Inspired by the semi-abstract modernist tradition of St Ives, practitioner Adrian Holmes teaches you to compose, carve and print your own designs using authentic Japanese tools and paper. Maybe that’s why these objects are, after all, very different from mass-produced Sears catalogues: slower is sometimes better.A contemporary take on the centuries old process of Japanese woodblock printing, this course uses traditional tools to create modern masterpieces. Another thing I discovered at this exhibition is that even though faster methods of production were available to Japanese designers in the late nineteenth century (such as engraved or lithographic reproduction), they still produced these commercial books through the extremely time-consuming moku hanga method. There is also an intriguing card of brightly-colored woolen circles, which turn out to be color samples, each one with its particular formula written in pen and ink beside it. The items on display range from landscape and nature scenes to decorative arrangements of plant motifs, some of them influenced by Japanese contact with Art Deco and Art Nouveau movements in Europe. She thought it was like someone collecting old Sears catalogues.” “Even a Japanese friend of mine, whose family was involved in the design business for hundreds of years, asked me why I wanted to collect all this stuff. “There really hasn’t been interest in it until recently,” Pevtzow said. It is curious why this material hasn’t been exhibited more often. Arabesque patterns, mid nineteenth century, woodblock printed book and ink on paper ( click to enlarge)
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